Film Photography I
by Jim Greenwood
Something new ... at least for me. I've seen photographs similar to this occasionally. But I guess I never realized the potential of this subject matter with respect to landscape photography, or my interest in it, until recently when I was introduced to it during a workshop in Zion last month. It helped me to delve a little more into macro photography, which I've been more interested in doing lately, but haven't yet had much success at.
Natural oils from decaying leaves and other plant material collect on the surface of small puddles and stagnant pools, mostly along rivers and streams, creating elaborate and highly varied reflections due to the phenomenon of thin-film interference.
Sometimes it's possible to find appealing compositions which include leaves or other objects. But sometimes Mother Nature's creative hand can use a little assistance too. This composition is an example of the latter. This tiny bigtooth maple leaf was placed in this location along Pine Creek. The leaf is only about an inch or so wide. I found this minute scene quite fascinating ... the intricate lines and patterns, and the small pebbles under the surface.
Canon 5D II
Canon 180mm f/3.5L Macro
180mm, f/32, 3.2 seconds, ISO 50
Comments
33 commentsExcellent work.
This may seem super-picky, but i would highly recommend a slight crop off the bottom to place the center of the leaf 'axis' at the exact 1/3 point. Placement of the subject is extremely important with this type of composition, and really i can think of no reason not to use thirds here.
Just read David's comment--i think he's reacting to the long aspect (as i initially did before i thought about a solution)--so i would be curious to see what he thinks of my suggestion.
Stan, what do you mean by the leaf "axis" ... with respect to the vertical placement of the leaf?
Here's your photo broken down. The red spot is the ideal 'rule of thirds spot'. I was originally thinking that should coincide with the blue spot here--the center of the leaf, where all the veins intersect, dead center (not coincidentally,the leaf has three sections--that's why it is such a strong comp in thirds!) But looking more closely, i think it really should coincide with the green spot--which is the middle of the left side 1/3 section, but is one third of the way along the length of that seciton--it's thirds within thirds and as such it is an extremely strong location. Our brains are always calculating these spots when we compose--we're just not aware of it!
Hey Stan,,,,,,if my brain is working that hard without my knowing it I'll have to start treating it better.
elongated for this subject, but it is a personal feeling...
I thinks sometimes as photographers we over analyze things and try to find something to critique, even when we might be better off just enjoying the image.
I'll just enjoy this one
John
Good job, Jim!
--P
I know you're not referring to me, here, Jeremy