Thanks folks for your comments on the previous image and for the series. I hope interest doesn't fade as I've got a long way to go....
Still on the first day of the trip. Also still in this little forest of burned trees; now you can get the context of my previous post, although that tree is not in this frame. I was drawn here by the lone cluster of autumn black oak leaves against the starkness of the pine snags and the rebirth of the forest floor. Light was soft and diffused from an overcast sky and a very light rain.
This was an image that I struggled with and it took some time before I started liking it. And because of that, I also started playing with b&w. Doesn't b&w exist as the default choice when the color image sucks? JUST KIDDING! But seriously, I tried the b&w and I think it worked well to help calm down the chaotic nature of all the branches and mess of the forest.
You may notice the b&w version is a bit dreamier? Well, that's because the Orton effect is heavier in this one. Yes, a little splash of Orton in the color version too, but I'm trying to keep things as real - or believable as I can.
Did I succeed? Your honest thoughts and critiques always welcome.
4x5, Nikkor 300mm, V100f, f/45 @3s
Tony Kuyper's masks and actions.
Thanks!
Lon
Comments
23 commentsI like the composition here a lot even though it is somewhat centered. There is just enough lean of the oak to the right and the color going off to the left that just gives it a nice balance. I also like the two branches on the ground the give the oak and photo a nice solid foundation to rest on.
Alright, well here's my thoughts... First, B+W or color? I'm leaning towards the color version, although I'm struggling to know how to explain why. What I can say, is that the connection between the golden forest floor and the golden leaves seem to bring a little 'life' to the scene, whereas in the B+W, the leaves up top only stand out, but may not communicate the same idea of re-growth. Perhaps I'm thinking about this too hard, and should just say, "eh, the color one is better..."!
Second, does it work? For me, yes it does, although it may not, to me, stand out as much as your other images (that was a lot of commas...). BTW, I have great interest in your new series, and am definitely looking forward to the next forty images, if that is the case!
John
Personally I would prefer to see these works without the Orton effect, especially the b&w. But that might be purely a matter of opinion.
Peter
Nick Bristol
Lone Rock, WI
There is something about the color that doesn't sit quite well (ever so slightly). The B&W version to be fair we can't see it bigger to enjoy the details and there is quite a lot of that here but seems like a good idea. I would just not use the Orton effect, I don't see here the need for it personally.
But again this for me is a good one.
The small amount of yellow leaves that appear to be hanging in there adds to the story of the burned out area. Of course the ground cover seems to always come back very vibrant and in a short period many times. But, the leaf cluster provides a ray of hope for the tree still well enough to support that group.
version. I like the sharpness of detail and the color. It's also well composed with the fall foliage slightly
off center. Your wonderful tree photography is almost unrivaled in my opinion; however, I don't feel that
this measures up to your usual high standards. You certainly got the most out of it, but I simply feel
that the subject you worked with limited you somewhat in comparison to your other tree(s) postings
over the years. Nevertheless, it's a keeper and worth adding to your portfolio. Thanks for sharing.
The b&w is great too, and I like the glow. A bit of a departure from documentary, but looks good to me.
Happy Thanksgiving!
Chris
- Dan
I agree the b&w is too much Orton - at least to the extent that it goes beyond reality and in to PA, IMHO. I can understand it being effective for some; it's simply about tone and contrast, as many b&w images are. The color version tells the nature story much better.
The trouble I had was all the gazillion of bright gray branches really made the scene more chaotic than the story or image that I was "seeing" in my head at the time. The visual contrast of the lone cluster of oak leaves against the mostly monochrome background was what drew my attention. The notion of the "rebirth" of the forest was honestly an after thought. The slight application of the Orton technique took the "edge" of the bg forest and allowed what I was seeing to come through.
Which brings me to the main reason I wanted to show the original. I wanted mention the notion of "developing" an image rather than "processing" one. Personally, there is more than just processing images, moving saturation sliders and color balance. It's more about developing an image to tell your story, the story of the moment, and your vision as a photographer.
Thanks for listening! Happy developing... ;-)
Lon
The composition is very strong, I like how the lines in this image somewhat lead to that main trunk. Not only the logs on the floor, but also the other trees left and right sort of point to the base of "that" tree that makes the difference.