Water Spirits (+rework)
by Phil Pogledich
A long exposure taken about 25 minutes after a cloudy sunset at McClure's Beach, Point Reyes National Seashore. There's more of a story to this shot but I'll just let the image speak for itself. I greatly appreciate your comments and critiques.
Canon 5DII, 17-40L at 40mm for 30 seconds at f/11 (ISO 100).
Comments
11 commentsNick Bristol
Lone Rock, WI
Chris
Hey, I was just at Pierce Point Ranch on Sunday - when were you there? Windy as all heck over there.
I really like the mood and the sense of the "calm before the storm" I get from this image. Gotta say though that the blues are a bit much for me. The only reason I say that is because it looks like you stuck a blue filter on the lens, or simply did a global adjustment, WB or whatever that gave everything the same blue tone. Hope that makes sense and of course just one man's opinion.
Lon
Just to comment on the blues and saturation, I had expected a couple of comments along the lines of what Lon said though I was relatively satisfied with it myself. In post-processing I actually did relatively little to create the blue tone and level of saturation. In Lightroom I left the WB alone, boosted Vibrance to 15 (generally a pretty mild adjustment in my view), and shifted the hue of the blues toward a cooler tone. In CS4 I then did some contrast adjustments using luminosity masks, always in the luminosity mode to avoid tweaking the color, and a bit of dodging and burning. And of course, a crop to 4x5.
The bottom line is that the color is, I think, largely the product of the twilight hour and perhaps the long exposure, which tends to saturate colors a bit in my experience. But I'm striving for something that feels natural to folks, so I greatly appreciate your candid comments about the blues.
Lastly, Lon, this was taken on April 1. I'm hoping to return this coming Monday for a brief visit to McClure's Beach in the morning, as there's one particular scene that I want to capture with a low tide and morning light. We'll see how it goes . . .