Great Falls in Winter #1
by Mark Seaver
Our relatively cold temperatures have created some nice ice on the rocks in the Potomac. Yesterday, I was able to combine some ice with high enough flow level to get enough mist for rainbows to show up. While I enjoy the combination, finding compositions that I like from the limited area of the viewing platform is an ongoing challenge. (5D3, 100-400mm IS II @ 300 mm, 1/5 s, f/16, iso 200, tripod, polarizer, ND filter and cable release)
Comments
14 commentsSweet color and SS.
--P
With the larger FG rocks it might appear a bit heavy toward that side, but I think those are prominent items in the scene as presented now anyway.
The star attraction is of course the rainbow colors captured. The environment that is producing the rainbow is dynamic and full of raw power. The big rock and overflow cascades are great addition to the overall river scene.
I would agree with others about cropping some from the top to emphasize these features. I didn't notice this until a second look at the larger view, but if you can you might want to content-aware clone out the forked branch in the ULC; it's mildly detracting.
Lon
I appreciate and respect the idea that we should be photographing and presenting what was there, what we saw. I think this is a great topic one could open in a discussion forum so I won't take this any further.... other than to say, once you enter and start calling your work "fine art" and if you were to print this as a fine art wall hanger, personally I wouldn't want the log there.
Disregarding anything I just said, I did want to point out something that is missing regarding the log and its shadow. Who's to say or know if a projected shadow in the frame didn't originate from an object outside the frame?? It's perfectly logical that the log could have been outside the frame and still cast a shadow, right? I know I'm really nitpicky with a lot of my comments, cropping here, cloning there, etc. etc., but to be perfectly honest, on first pass, I never really noticed the log. Upon multiple passes I never once paid attention to the shadow, until it was mentioned.
Just my not so humble opinion, I think not cloning it for ethical reasons (ie. it was there, so it belongs) is a stronger argument than whether or not the shadow should be considered - or even noticed... Again, it's very plausible that the shadow was cast from outside the frame; the main issue is that YOU know it wasn't...
Just a thought.