Tres Hermanos +rp
by Lon Overacker
The title isn't included for a reason. I'm real curious to the reaction here or any revelations, observations you may have. The title I have in mind would give it away.
This is also in part attributed to, or a tribute to, the Bark Master himself, Mr. Birdwell. Preston and I were walking along the Merced on our recent trip. I was actually on my way to another spot along the river where I noticed some warm reflections in the river from El Capitan. Preston and I viewed the char and of course he started investigating and eventually, I think the next day made a photograph or two from this location.
So without any further comment, I would love to hear your thoughts, critiques, suggestions on this image.
Thanks!
Nikon D800E
Nikon 28-300
TK's stuff:
3 Lights and midtone lumisity mask layers
all Saturation/Vibrance layer mask
Burn layer for taming highlights.
Tony's web sharpening action
that's it
Comments
19 commentsThanks for your comment. Yes, I'd be more than happy to expand on the use of Tony's "stuff." I guess I shouldn't assume that everyone has or uses Tony Kuypers actions, luminosity masks, etc. etc. It's just a part of my workflow and I often take for granted how much his stuff contributes to my images.
I've included a little more detail in the original post. If you or anyone wants further expansion, I'd be happy to go over.
I know I've been away, but wasn't there some discussion around "before and after" and sharing processing techniques. It could be out there, I haven't looked around. This might be a good time?
Nick Bristol
Lone Rock, WI
Albert Darmo
Canada
--P
You sure are making a nice comeback! The details and colors are amazing, you guys know how to make these charred trees look very vivid and alive, if that makes any sense. I would be tempted to crop out the bright white stripe to the right, both because of the stripe itself, but also because the surrounding blacks seem to have e greenish tint which doesn't really fit with the rest of the photo. So I think I would remove the "charred column" at the right.
I don't know if Preston recalled this or not, but I'll mention this since no one made the observation - or perhaps its too obvious??
I've titled this "Tres Hermanos" which of course is "Three Brothers." This is a 3 image focus stack and there are 3 separate trees shown here. If you look on the right 1/3 of the image, it's apparent there is a distinct separation between the 2 trees on the right. I don't recall exactly, but I believe there is at least 6 feet of depth between the 1st and last tree. In other words, I'm looking at these trees at probably a 45deg angle - and NOT straight on. I almost did this as a grab shot. I pretty much did this as a test to see how well or how valuable focus stacking would be. I was fairly close since the focal length was something likd 58mm. And the aperture was f/6.3 for each image. Anyway, I was very happy with the results of this one in terms of the success of the technique (it's tac sharp edge to edge.) And even luckier the image came out good enough to post.
thanks again! feels good to be back.
Here is the repost too.
Jim
It's a gorgeous image, and I like that you eliminated the white line in the repost.
Great work, as usual, sir!
--P
Although I doubt many will see this now, but I did want to make an important clarification.
While technically this is a composite, it's not a composite of 3 different tree images. It's a focus stack of the SAME image, exposed 3 times at different focus points. One for each tree.
I don't know if anyone was thinking that, but I just want to clarify if they did.
tx