Thank you for your comments on my vertical comp of a similar image I posted
here.
I think I prefer that vertical frame better, both for the overall feel and the killer look the bull was giving me, but there's something about this one that kept it in my favourites folder as well.
I spent several minutes fine-tuning my camera angle to have numerous leading lines/shapes in the background to add some interest/direction to the bull's placement, but I could not get this scene with the bull shifted any further to the left (see next paragraph).
The funky soft grey blotches in the ULC are OOF needles from a pine tree I was under and was pushing the angle as far as I could while trying to avoid it. Despite having plenty of time to perfect the shot, there's no amount of time that will solve what the eye can't see as dusk moved toward twilight and my mid-40's eyes failed me.

I tried and alternate crop that removed them, but it took away too much cool character on the left side of the mountain so I decided to leave it full-frame, as presented here.
Interested in your thoughts on this one, and would love to know which one you prefer (link to the vertical provided above).
Thanks in advance...
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Nikon D600
Nikkor AF-S 300mm f/2.8G IF-ED VR
ISO 1600
1/13sec @ f/3.5
+0.7EV
Mounted on FEISOL CT-3372 Elite tripod with Acratech GV2 ballhead and Wimberley Sidekick
Electronic cable release
Full frame
Comments
10 commentsMax
Dream scene you had to work with - and it's great you experimented with some very different approaches to it.
I actually prefer this one over the vertical, largely owing to the more "classic" position/pose of the elk in this one (to me the pose on the previous shot felt a bit "awkward"). I tend to like my subjects very low and "grounded" in the frame, but wonder if this one isn't just a VERY small amount too low (i.e., without quite enough foreground). I see the logic of the crop suggestions offered above, including the removal of the featureless/flat sky (tho' I fully understand the appeal of keeping and showing the full frame shot).
Interestingly (and I'm just being FULLY honest here without any political-correctness moderating my thoughts)...I'm quite torn on the major leading line ridge line pointing at the elk. Of course I see the value of leading lines, but this one almost seems to be TOO prominent and it could be argued it's almost a distraction (almost like "too much of a good thing"??). Just food for thought...and not meaning to be overly picky...obviously we're talking about a strong animalscape here!!
Cheers...thanks for sharing (and looking forward to more...)
Brad
I have been coming back to this picture a few times and haven't figured out what to say about it, until now.
I really like the lines of the mountain rims that lead to the elk. I tend to agree to Brads suggestion to have a bit more of foreground, but that is a bit dificult to evaluate since your copyright logo is placed there. Anyhow in my opinion the image gets more interesting if you would crop the to in such a way that the sky is not seen. That on one hand eliminates the left out of focus needles you mentioned, but more interesting for me is that the leading lines to the elk are stronger emphazised, given the image a more dramatic look, since it gets a more 3D effect.
A bit late on this, great pose!
I afree with the suggestions about a little more room at he bottom.
What a sighting!