Between the Trees
by Luke Ormand
This is an image I just worked from a trip to Vermont a few years back. This was my first time really shooting waterfalls and I wish I had an ND filter at the time - but I did have a polarizer which I'm pretty sure was used on this image.
I'm interested to know if the SS selection works and if there is too much dead space in the LLC. Thanks!!!
Nikon D300s 12-24mm on Gitzo Tripod @ 12mm
f/16
2.5s
ISO 200
Full Frame, adjustments in LR5, CS5 and Perfect Effects 8
- Luke
Comments
9 commentsAlso, the water in the LRC looks a bit blow on one of my monitors (I have 2 here at work) and it looks perfectly fine on the second and I remember it looking good when I processed it and not blown at home, but I do like that cloning suggestion which I also saw on Wayne's image.
This is a nice pleasant forest scene which you have captured very well. I somehow feel it's a bit 'busy' but can't come up with any changes to reduce that any longer. I really like that green plant on the left because it seems to give me an anchor to hold on to. My preference is for a faster SS even if the water had not been blown out because the water beneath the surface is usually so beautiful. My own preference would be to cool the entire image just slightly because I like the color tones of a shady forest. I'm on the fence about those trees at the very top. My eyes keep being drawn to them. But I sort of like the suggestion it makes of light coming through, between them and on to the creek.
As far as shutter speed goes, that's personal. I USUALLY use faster shutter speeds (faster than 1 second, depending on the speed of the water, the distance from the camera, and how much "structure" the water has). What I like is to preserve the structure and texture of the moving water as we see it. It's a balance between what I regard as two opposite artificial looks, which you might call camera tricks: One is "frozen" water with a fast shutter speed; and the other is "milkshake" water with a very long shutter speed. I think people normally see and remember something between these two extremes. I think some motion blur illustrates the flow we see, but very long shutter speeds obliterate the character of the water, transforming it into some sort of blob or fog. From frozen water to oozing milkshakes, and anything in between, it's all a matter of taste, but I think the middle ground celebrates the subject more, while the two extremes celebrate more the equipment and the "cleverness" of photographer using camera tricks.
--P