Collection of Time
by Kent Mearig
Sometimes a photograph is about "great light". In a place like this cave, there's barely even enough light to see what's going on around you, especially as you descend deeper before your eyes adjust. With an ISO of 200 and not too small an aperture, photos still rely heavily on a collection of time. Four minutes was just enough time for the ice overhead to reveal its shape and the rocks to reveal their textures. Some photographers are not fans of water gone so smooth as this photo features, but it was not much more than a few scattered reflections to my eyes. The result is unavoidable. I chose monochrome for this image because color (blue) easily overwhelms the finer points in the scene. Thanks for taking a look.
Comments
7 commentsWhat you see at the back of this photo is not even close to the mouth of the cave. The foreground is probably at least a couple hundred feet away from the mouth, with the background midway between the two. The roof of the cave is, on average, just a little too low for someone to walk along upright, changing frequently between spots tall enough to stand and places that force you to stoop. The stream width is also variable but typically (as shown in the photo) about three large steps across. For two specific points of reference, the large boulder in the left foreground is about the size of a recliner, and the triangular one toward the back is like a love-seat.
I hope that helps to sort it out.
Peter
Yea, the water bothers me a little but as you say, it was unavoidable.
The contrast make the photo. The monocrhome effect is wonderful.
The leading line of the water does take the eye to the bright spot, the the light leads the eye to the left; then the darker areas take the eye back to frontstage. Nice comp.
Hey, you were there and I think you great.
the fisch