SB Kingfisher in Profile
by Ashley Vincent
Canon EOS 7D, EF 500mm f/4L IS USM + 1.4x Extender II @ 700mm, TV Priority @ f/5.6 (1/1600 sec), ISO 800, Exposure Compensation: +2/3, Handheld, JPG from RAW
Following on from the last thread, here's the second shot I managed to capture of the same Stork-Billed Kingfisher. Lacks a lot of detail IMO, and the background is somewhat dodgy, but I'm posting this one up more to give you a better idea of what my fine-feathered friend actually looked like rather than hoping I'll be winning any special awards ;^)
PP: Being that my inability to roll well enough with the moving boat beneath me, I caught this one with the subject way to high up in the frame for my liking, so I cropped off a slice from the bottom and then, to create what I think was the most favourable composition, cropped some more from the left and right, all in all, about 20%; brought the exposure up two full stops, and used selected PS Surface Blur.
Thanks for viewing and, as always, critique and comments are most welcome :^)
Kind regards,
Ashley
Comments
16 commentscheers
Rob
Hopefully next time (I have to be optimistic insofar as believing there'll be a next time!) my experience from this trip will have me better prepared for the unexpected and skilled enough to make even more of every given opportunity ;^)
Thanks again and all the best :^)
Ashley
May
Ken Archer
KC: As it happens, I have other shots of the exact same Kingfisher, taken a little later further downstream, in which the blue of the wing feathers appear as a much lighter hue, and I was tempted to desaturate the blue in this image and the first one I posted, but not only is this the way the camera caught the colour for these two shots (i.e. I didn't add any further saturation to the blues to achieve this effect) but I distinctly recall being amazed in the few moments I had to shot these shots at how much more intense the colours were of this subject through the viewfinder, hence the reason why I left these two as close to how the camera captured them in vivid colour as it did.
I can only assume that the effect had something to do the the different light reflecting off the subject in this particular situation. Though I'm open to alternative opinions ;^)
Ken: Yep, I consider these two images among the luckiest I've ever shot and, quiet frankly, it still baffles me how I managed to shoot them without any need to adjust the horizontal plane in post processing in light of the contorted position my body was twisted in while leaning out over the edge of the boat as we drifted on by - LOL ;^)
Thanks again guys and wishing you a great one ahead :^)
Ashley
Although you'll probably have to click back to the last page of threads (or by now perhaps one more), the previous thread I posted up (entitled "Learning from Experience") explains a lot more of this setting and situation I was in when I took these images.
In quick summary, just before these shots were taken I'd inadvertently flipped my mode knob from aperture priority to shutter priority and given it a setting of 1/1600, which turned the capture almost completely black; hence the reason why I needed to push the exposure so much in post-processing ;^)
I know there are still flaws, but frankly I'm overjoyed that I managed to salvage and get it to this stage especially for all I went through to get it, as I explained in far more detail in the previous thread :^)
Thanks again and, BTW, I always enjoy looking at your images too :^)
Ashley