Escape to Heaven +reposts
by Stan Rose
When my mother died after a long battle with lung cancer, followed just weeks later by the terrorist attacks of 9/11, i spiralled
into a deep dark hole where all my doubts and anxieties were validated. The universe was a cold, unforgiving place. The
wilderness became my only escape from the confusion, but even the wildlands were uncaring. Photography became a way for me to grab those moments of clarity, just seconds that took me back to a far simpler time, when there were no questions, just experiences of the world around me.
I chose the "Escape Dunes", part of the Great Sand Dunes NP, as a testament to this experience. The Dunes here have "escaped" the main dune field, smothering the surrounding forest. While some
hardy species hold on, most eventually succumb to the asphyxiation
of the sands, just as the cancer slowly took my mother's life.
They are the "Ghost Forest", skeletons that testify to the journey
of life and death. The ponderosas and other trees may be giants alongside men, but they are just specks of sand below the vast sea of stars. Ashes to ashes, dust to dust.
I've planned this shot for some time. It required cold conditions,
a perfectly clear sky, light winds, and no moon.
When i became confident in my forecast for Tuesday night, a week ago I rented the EF 24mm f/1.4 for the job(this lens is fantastic!).
It was about 20 degrees out and my hands nearly froze, but man...
I can say without a doubt this is one of the clearest night skies
I've ever witnessed. I blended two exposures, one 60s taken at ISO 800, f/16, 30 min after sunset; the other 25s at ISO 3200, f/2.8, 45 min later. The scene was pretty dark to my eye at that point
and everything was very, very blue. The astute astronomer will note that i 'nudged' the Pleiades a bit closer to the North, otherwise
it would have fallen just outside the right frame here. This is pushing the bounds of where i draw the line between photography
and photo art, but this was an atypical shot for me. Aside from
that, no additions, subtractions, or alterations to the scene as
I saw it, though this was quite a bit more PS (at least an hour)
than i usually mess with. Thanks to Marc A and Floris for the
inspiration with this idea.
PLEASE view in a DARK room for best effect!
SEE THE 2 REPOSTs BELOW!!
Comments
79 commentsI also find being in my favorite places, allows a time to think with clarity and brings peace of mind.
Inspiring for sure. Nice job on the technical work, and the comp is just fantastic. What a beauty!!
- Dan.
I love it!
Spectacular and inspirational. Beautifully written, planned out and carried out. One of the best "starscapes" I've seen.
I don't know where you would draw the line either Stan, but I'm certain that this is a "composite," which you clearly and honestly state. The results are stunning; the rest is up for everyone else to classify it.
Lon
A number of people on RMNP have commented on the heavy blue cast. As i stated there, i deliberately used a real low WB because it looked very blue to me at the time. But after looking at some other shots (like Marc's Tetons) that are along the same lines, im wondering if that might have wiped out some of the sky detail, so ill experiament with a higher WB and see if that changes anything...
John
Your work is magnificent and I can see your trade mark here (Sand )
Lovely blue here
Thanks for sharing.
Oh, in case you're wondering, when I do this stuff... it's way more PS than I'd like to do as well!
Im glad there are still places that can meet that need for us. Its vitally important to be able to escape everyday life and enjoy the pure peace of nature. Your image really brings that home.
That being said, I love the highlights on the lone tree and the glowing mountain tops. I feel like this can be a painting. The blue does grow on ya, but I think too can be brought down. It will still have impact for sure.
All in all great job Stan. Stay you
"The wilderness became my only escape from the confusion, but even the wildlands were uncaring. Photography became a way for me to grab those moments of clarity, just seconds that took me back to a far simpler time, when there were no questions, just experiences of the world around me."
I went through a similar experience with a divorce many years ago and turned to photography for healing. It wasn't until years later that I realized the motivation. Thank you for sharing, Stan. It seems that some of the best work comes after such an experience. I'm sure your mother is watching over all this approvingly.
Great story (I'm sorry for you loss), but an even better photo!!!!!!! Just spectacular!!!!! No critiques from me!
-Cam
Would also love to see a repost with less blue.
Best,
Jose
I really like it.
Ed
This is fabulous!!! Its obvious your life with your mother shines through in your work. And she continues to inspire. I'm sorry to hear about her death. My father's death was a similar experience for me in many ways. He loved the sea and wanted his ashes scattered there. That is also why I feel so connected to ocean.
You planned and executed this very well. And it seems like with the new sensors new territory is being explored in night photography. Thanks for describing the process. I agree that 45 minutes is not that bad of a wait at all. But in 20 degrees it is a long 45 minutes.
That is one sweet prime isn't it? It is like the night lens for Canon.
Derek
The moments we spend taking pictures simply aren't like those in the rest of our lives. "Seconds that took me back to a far simpler time, when there were no questions, just experiences of the world around me." That's what living is all about.
Chris
The wilderness can clear our mind, our heart and soul at times, and it is such a healing place, Beautiful words.
The image is absolutely outstanding. I rather enjoy the blue tones myself, and I will be gazing at this wonderful image for days to come.
The image contains the beauty of life and the beauty of death all in one show. Our experiences are priceless on this planet, and thank you for sharing this stunning image with us.
Mom would be proud!
Neil
As photo art, I don't have a problem with the WB or saturation.
this is a stunning job, congrats!
Giovanni
aF
all my artwork.
Aaron--here it was easiest to simply select, refine edge, and delete. the sky from the fg shot was actually fairly dark, so the match was pretty close to begin with. I actually could have gotten away with one exposure for this shot--but it would have been at ISO 6400--too much noise there.
This is one of your best Stan.... the composition including the tree, peak, sand and stars...you really did justice to that place!
This one definitely makes the final cut for your book! Simply magnificent.
Chris
Albert Darmo Canada
Magnificent work.
I prefer the OP but that may be because I am partial to blue.I also feel it has a ton of appeal with the subtle lighting.
Thanks for all the comments, folks! This was a special shot for me, and im glad it worked for most of you
About the image, one of your best and most powerful, IMO. I think I like the second version best, looks the most realistic while still displaying amazing color and detail.
Gotta get out to a dark place and try my hand at this night sky stuff one of these days!
Awesome image!