Mono wish
by Peter Coskun
Here is another image from mono lake. This was actually taken the day after all the other images I posted. I didn't plan on shooting here, but my plans also didn't include getting blown off of Olmsted point in Yosemite. After almost getting blown off of several cliffs and the Tioga pass road I decided to stop once again at mono lake with the idea of taking some night shots. I knew there were no clouds in the sky for the most part, and the moon would set just at twilight. My ideal composition was taken over by a few travelers from the Netherlands who I met and shot with the remainder of the evening. Another traveler from Wisconsin had joined in on the location and began shooting alongside us as well. They were all shooting time lapse and the spot I was trying to set up was in their path. After talking with them for a few hours the sun had set and they were on their way. The other gentleman asked if I was staying to do night photography, I told him I was and he asked if he could stick around and sorta pick my brain about this type of photography (I'm no pro here, but I figured I could tell him all I know at least). After waiting for the stars to come out, I began firing off some High ISO shots that I would be able to blend with a twilight shot. Since I was shooting towards the sunset, there weren't as many stars as visible. To my surprise, I captured a few shooting stars just above the tufas in a few frames. I decided not to stay too long as I was quite tired from spending the day in Yosemite, so I went back to the hotel and hoped the next day would be better. Anyways, now on to the image itself. This was one of the most difficult blends I have done so far and I think it came out better than I expected. The big issue for this image was in the star shot, the gentleman I was shooting with had a red headlamp that was on and painted the water and tufas on the right side. I wanted to keep this primarily blue tones and more natural. Now I probably could have done this a much easier way, but I did it in a way that would yield results I wanted. I made the twilight image the layer mask, then painted over the sky to put the stars back in and remove the red from the water, then masked that back over the twilight shot and repainted the tufas and sky at various opacities making the gradation a little more natural. I'd like to get some feedback on this as to what can make it better because these are the kinds of images I am really starting to become interested in creating. Thanks for reading this novel, and hope I am able to achieve more shots like this during my travels.
Canon 7d
Canon 17-40mm @17mm
ISO 3200 (sky) ISO 100 (tufas)
1/4 sec tufas 25 sec sky
f16 landscape, f4 sky
remote
tripod
Comments
21 commentsaF
In all the years I've visited Mono, I can't say I've seen very many starry night images from here. This is nicely done. Even have a shooting star for a bonus. You did well in keeping the blue tones - so much so that it borders on too much blue saturation? But not overboard by any stretch. It feels cramped on the sides, but of course gives way to focusing on the night sky. I might be tempted to crop some off the bottom just to keep that emphasis on the night sky. The reflection works nicely, but it's not the main subject. Overall, this is well executed. I hope you're able to tame the noise if printing this at a decent size.
What did you think of being down in the tufa in the dark? Pretty spooky eh?
Lon
Nick Bristol
Lone Rock, WI