Drip Dry
If you're into photographing wildlife ONLY when they're dry, you probably shouldn't go shooting in the Great Bear Rainforest! Me - I like shooting wildlife in damp/wet conditions - I think it adds mood and reality to the images and you get a feel for what wildlife really has to endure on a day-to-day basis. And, you get great colour and manageable contrast, especially if your wet animals are accompanied by overcast skies. I've been told that you'll rarely have enough contrast to "pull" good image detail in rainy conditions. Hmmm. I guess I didn't know that and blew getting detail on this shot! But check out the large version of this image if you think it's lacking detail - and the full res version shows WAY more detail than this. Good thing I didn't KNOW to pass on shooting in the rain!
I shot this image with what is becoming my favourite "go-to" lens for wildlife - a 400mm f2.8 prime. Of course, compared to a zoom you lose some flexibility in framing and composition, but the lens offers the type of contrast (in both colour and the in-focus vs. out-of-focus zones) that I like. Given that I gravitate towards scenes with some form of visual contrast in them (light-dark "standard" contrast or colour contrast or sweet bokeh with strong differences in tack sharp in-focus zones and buttery smooth out-of-focus zones) I suppose that's no surprise! In this image I intentionally shot directly through grass to produce the soft, smooth look in the bottom of the image to contrast with (and enhance) the sharp regions on the bear's face. I know it won't be everyone's cup of tea, but it came out how I hoped...
One last comment: Like most serious nature photographers I have almost as much invested in quality outdoor wear as I do in camera gear. When I see any animal enduring a huge range of harsh conditions with what appears to be no discomfort, I'm always left wondering why someone can't come up with a great Dog-tex (or Bear-tex) line of clothing that works in ALL conditions - from steamy hot jungles through to frigid arctic tundra. Hell, I'd pay premium bucks for the "drip-dry" clothing our furry (or feathered) friends have!
Subject: Female Brown Bear (
Urus arctos) contemplating life in the rain
Location: Khutzeymateen Inlet - Great Bear Rainforest, BC, Canada
Camera: Nikon D3s
Lens: Nikkor 400 mm f/2.8 VRII lens - handheld from floating Zodiac
Exposure: 1/250s at f5.6. ISO 320. No compensation from matrix metered exposure.
Crop: About 95% of full frame
As usual, more info about the image (including more processing details, etc) available here on my website:
http://www.naturalart.ca/galleries/latest/detail_5.html.
Comments & critiques welcomed. Probably better to view larger version first...
Cheers...thanks for looking...
Brad
PS to Ashley: Don't think you'll have to work too hard to find the eye on this one!
Comments
17 commentsAm too busy admiring the larger version now to play critic
I haven't used the 400 2.8, but do have the 200-400 and really like it. I feel the Glades with all its close quarters almost demands a zoom. But that length Nikon glass is sweet, as you say.
As for Bear-tex clothing, I suppose each outfit would have to come with a layer of fat.
This bear looks pensive, a lot of personality in that eye and down turned head.
Impressive image.
Very nice image indeed, and I too love the effects one can get from shooting wildlife (even birds!) wet. Thanks for sharing :^)
I quite like your framing here, cracking IQ and DOF too...personally I would have preferred the snout to be a little higher in relation to the OOF grass in front, but I appreciate your constraints from where you were shooting from and it's certainly no deal-breaker for me.
Believe it or not, one of your better bear images I have seen from you in a while...something different than your norm. I love it.
lol
Thanks for all the positive feedback on this one...appreciated. Some specific responses to a few points brought up:
1. Mark. You say: "...which suggests that you're well camo'ed and not disturbing its routines."
Ahhh...that was the "hide in plain sight" camo! Definitely didn't disturb the bear (it just did its thing the whole time) but I was right in front of it and it was well aware I (we) were there. That's one of the beauties of the Khutzeymateen - you spend time among the bears and they let you right into their lives - their whole natural behaviour repertoire is on display right in front of you - everything from courtship and mating through to mother-offspring behaviour, agonistic interactions between rival males, etc. Just so cool....
2. Vincent - you say: "Personally I do find the TRC a little on the tight side (i.e. ears too close to the edge of the frame)". Good point. There is (or I created!) more room to the right of the ear and there is also more room (natural) above the ear in the uncropped version. Agree with your basic point, but in adding more room to the right I have to (by my eye) also add slightly more room on top. The net effect of this ends up being MORE of the dark background that's seen to in the top left side (that dark gray triangle), which just didn't work for me. Always compromises, eh?
3. Ashley - PHEW!! I was worried about you not finding that eye - good to see you tracked it down!!
4. And Tony - you say" "OMG.....an out of focus foreground from Brad Hill!!!"
Geez, normally I'm only misquoted and taken out of context when my stuff is read by non-English speaking folks using Google Translate. But then again, I always forget to check out what I write in that rare language known as Illinoisan (or is it "Ill-annoying"?). Once more, and fore the record, I have NOTHING against out of focus foregrounds.BUT, what I personally don't like (and have brought up at least twice this week on images of others) is having 3 distinct focus bands (OOF foreground, in-focus mid-ground, and OFF backgrounds) that stretch completely across the frame (i.e., edge-to-edge). To ME (personal preference) these almost always look a tad too unnatural (try looking at ANY scene with your eye and producing 3 discernable focus bands) and scream "telephoto" so loudly that the image becomes more about technical issues (and the photographic tools we use) than aesthetic issues. Using multiple out-of-focus zones in an image is VERY tricky (IMO) and avoiding those focus bands when using super-telephotos can be quite a challenge. But...if you check out this image again, you'd be hard-pressed to find any edge-to-edge focus bands!
NOTE to anyone shocked by the candor/bantering between Tony and I: We go back a ways and I would think Tony is sick (and he would think the same of me) if we didn't badger one another whenever possible. Latent alpha male thing and I'm bigger (well, taller) than Tony!!
Cheers all, thanks again...
Brad
Cheers bud
BIlly !