Gold-Whiskered Barbet
by Ashley Vincent
Canon EOS 7D, EF 500mm f/4L IS USM + 1.4x Extender II @ 700mm, Shutter Priority @ f/6.3 (1/320 sec), ISO 1250, Exposure Compensation: +1, Tripod, JPG from RAW
Although, by his own admission, my guide in Malaysia had little experience with serious photographers and, therefore, it took a while before he understood that I needed at least some ambient light to enable me to capture images of fauna he'd be pointing out, there were at least a couple of occasions where he really came up trumps. And one of those was an afternoon we spent in a somewhat less densely packed area of rainforest than I was becoming accustomed to, where he spotted a pair of Gold-Whiskered Barbets … I have to admit that it took at least another five minutes of his patiently pointing their location out before I could see them too - LOL ;^p
As brightly coloured as this species is, trust me when I say that they're extremely difficult to spot among the leaves, especially seeing as, unless they're taking off, landing, or feeding, they have an uncanny ability to stand so completely still on a branch that you'd swear they were frozen stiff and stuck to it, and they can stay like this for long minutes at a time only occasionally breaking their trance-like state to flick their heads in one direction or another to look at something else.
While the downside to this is of course making it very difficult to spot them in the first place, the upside is they make excellent subject to shoot once you have ;^)
There's no way they didn't know we were there, seeing as several times I'd got one tripod leg or another tangled in undergrowth and was being about as subtle as an enraged bull defending itself in the ring while trying to wrench them free so I could quickly move into a better vantage point, but fortunately these Barbets were much more interested in the fruits of the trees they were flying in for than my dancing about below, which allowed me and my tripod to get relatively close ;^p
I spent just over two hours watching and photographing them coming and going and feeding upon the fruits, the only real challenge was the lighting as per usual; sometimes there'd be hardly any on them while at others, when they hopped to a different position, there'd be far too much glare bouncing off them, particularly the gold-whiskered parts, so I frequently had to change settings.
Anyhow, from a long series of shots there are a few I'm especially happy with, and this is one of them, I hope you like it too :^)
PP: Cropped to about 50%. Other than that, all I did was add some Clarity and Vibrance and naturally some sharpening, oh, and a touch of Surface Blur on the background.
I would like to say one last thing in regard to my cropping. With two of the photos I've posted to date (the previous one in this gallery and one of a Cheetah in the wildlife gallery), the importance of leaving enough space for a “virtual” part of the subject's body (even if it's actually obstructed from view in the frame) was pointed out to me, which is something I am grateful for and a concept I understand and, as a general guideline, one that I now embrace.
With this in mind, I've given considerable thought to whether or not I should increase the size of this crop (there is, after all, plenty more I could add!), but I've chosen to present it as I originally cropped and composed it for the simple reason that I believe in this particular case less IS more; I feel a large part of the charm of the picture (charm being courtesy of Mother Nature more than any real skill of my own!) is in the impression that the subject is tempted by the fruit into come out of hiding, so to speak, and this impression loses strength the more one pans out.
All the same, I'm open to other points of view on this and, seeing as it didn't entail too much PP work, I won't mind making and showing you a larger cropped version if requested.
Thanks for your time and consideration :^)
Kind regards,
Ashley
Comments
35 commentsBalan Vinod
cheers
Rob
Did you have an option to leave some space on the right? I feel having that would improve this image, even if the rest of the barbet is obscured by the trunk.
Congrats!
Simon, Ron in Oz & Brian: Awww, of course, those fruits are figs!!! Even though I saw and photographed these Barbets tearing them apart, so I could clearly see the insides, it never dawned on me that these small fruits were actually figs - LOL ;^p
As passionate as my love for Nature is, I must confess to a serious deficiency in knowledge and understanding when it comes to trees, fruits and flora in general, but I'm most eager to learn as much as I can, so thanks for enlightening me on this one guys :^)
Govind: In light of what seems to be popular consensus regarding my choice of crop - reasons particularly well noted in Brian's and Ron's comments - unless you really want to see it (in which case please let me know), I probably won't post another version showing more of the frame, although I respect your opinion nevertheless and thank you again for it :^)
Thanks again everyone and wishing you all a great day or night ahead :^)
Ashley
What an impressive image. The detail in the bark, the friut and the bird are terrific with a pleasing blurred out background. This is so much like a painting I can't believe it. The jungle setting is intoxicating. As for the composition unless I saw what canvas you cropped I don't know if it could be improved but I will say this, I love what you have shown us. The vine on the top portion of the image balances this image out very nicely. The only part of the image that I might work on is the blurred out branch in the backgroud just below the bird and to the left. I might try and remove that. Ashley, This is a very impressive image.
David: I had considered removing the blurred branch below the subject, but I feel my current cloning skills are not good enough to do this without making a hash of it, although I may revisit this again once I've had more practice ;^)
Govind: Once again I do appreciate your point of view. At the same time, the more I look at this image as I have it composed now, the more I like it for reasons I mentioned in my original post, nevertheless, this point about negative space and "virtual" parts is now something I'll be paying a lot more attention to, so thanks to you and everyone else who also touched on this subject :^)
A couple of my favourite nature and wildlife photographers are John and Barbara Gerlach, and I learned a lot from studying their book "Digital Nature Photography - The Art and The Science". On the subject of "Composing Strong Compositions" one of the things they wrote was:
" ... (we) don't believe in photographic compositional rules because there are valid exceptions to all of the "rules". Instead, it is better to offer guidelines that normally work well. Those guidelines offer a good place to start so learn what they mean and use them in the beginning."
They go onto outline some guidelines that have worked well for them over the path of a 30-year career and add, " ... Try following these guidelines to help get started, but don't be afraid to reject or modify them for your own use. Eventually, as you develop your shooting eye, you'll acquire a compositional style that is natural to you and it will continue to evolve throughout your photographic career."
In summary, it's along the lines of this advice that I'm actually happy to find a composition of my own from time to time that I know breaks from conventional "rules" but I find it works pretty well all the same; I guess it has something to do with my inherent rebellious streak ;^)
Peter
Wonderful unique bird and environment here, and perfect crop!
Sandy
Kind regards,
Ashley
Michael
So much has already been said, and the recognition you received for it is more than deserving.
But I still have express MY appreciation of a truly superlative image.
The sharpness of just the right elements in this image is outstanding. The equal sharpness and complimentary colours of the Barbet and the fruit opposite him is...well, perfect I think. You have indeed captured...no, created...a masterful work of art here. Lighting, colour, sharpness, texture, bokeh, composition and strength of graphic balance...what can I say? This is not simply a great capture; it is much more than that.
I must also take a moment and thank you for your several kind comments and encouraging posts on my daughter's images. You have encouraged her greatly, and we both share your smittenness (word?) of that female Northern Hawk Owl she posted.
Thank you for sharing this,
John
Many thanks for your kind words of appreciation :^)
I really love those Owl portraits of Jenaya's and it pleases me no end to think that we are mutually inspired and encouraged by each others work and words. As you might have seen by now from the comments I left on your thread, I also love and found great inspiration in the beautiful picture of the Rams you posted up in the Wildlife gallery, and I'm very much looking forward to seeing more and more of both of your wonderful images in the future :^)