Lon's going to kill me for losing this shot for 4 years...
Another Orca image "re-discovered" today in my archives (sitting there in raw, unprocessed form). I'm lucky that I'm helping someone out with a project requiring slightly unusual Orca shots or I would never have found this one!
This image shot not long after my previous post (about 7 minutes later) but of a different Orca. Still heavily backlit (obviously)...and I'm thinking I slightly prefer this one over the previous post (but would love to hear what others have to say).
Subject: Killer Whale or Orca (
Orcinus orca) initiating a dive
Location: Northern BC Coast (Great Bear Rainforest), Canada
Camera: Nikon D2x
Lens: Nikkor 300 mm f2.8 VR lens - handheld. VR on and in "Normal" mode.
Exposure: 1/1250s at f4.5. ISO 100. -2.33 stop compensation from matrix metered exposure.
Crop: About 95% of full frame
I've posted a short discussion of the technical and compositional challenges of capturing this shot here on my website:
http://www.naturalart.ca/galleries/latest/.
Comments and feedback greatly appreciated...probably better to view larger version prior to doing so...
Cheers...
Brad
Comments
13 commentsThe limitations of a fixed focal length lens on composition, positioning a water-craft with a moving pod or individual and controlling exposure in such a manner are testament of a calm and deliberate manner. Can you expound a bit on the platform craft and its control and positioning. It would appear from the images posted, that keeping with the Orcas was tantamount to the execution of these wonderful images.
I'm frequently asked what the perfect histogram looks like and will now refer to your site and these images to forward the discussion.
Well done, as usual!
Neil
I would like to point out to others that although the two images are similar they are NOT like a minor variation of a theme/scene that we usually get when we shoot a series of an animal. The other posting was all about the suspended water with an orca as the accent/foundation. (This commentary is all just MY opinion, of course...) This one is more graphic in design. Note how the water vapor is a nearly vertical edged column that becomes a 1/3 panel for the left edge of the image, which happens to be fortuitously braced by an orca's dorsal fin! The bottom of the frame is identifiable as an orca but the up-swell of water seems to be the real visual focus. What I like best about that is although the surface of the water is defined in the near foreground by the lines of ripples, the background horizon is entirely absent, keeping the viewer's attention on the motion of the water. The nicely balanced negative space of the upper right might make for room for text...as in using this for the cover of a coffee table book!
What else have you been forgetting Brad?
Looks like a few responses are in order:
1. Luke...you said:
I was going to reply to this but Lon did it for me (much more eloquently than I would) - see his comments...
2. Neil you asked:
I shot this while on a tour with a company called Ocean Light II Adventures. On this (and all their tours) they use a 71' sailboat (a ketch) with a diesel engine. The skipper for their whale tours has worked with whales for decades and is adept at keeping pace with the whales and not spooking them. This image was shot from the deck of the sailboat, which is firm enough to use long super-telephotos (think 500 or 600mm lenses) on tripods. My 2010 Orca tour (with Ocean Light II Adventures) is sold out, but the folks at Ocean Light II Adventures do have room available for photographers this August. The details (and links to info on their trips - and my 2011 tour - is available on my blog (see April 27 entry).
3. Lon: You seem to find a way to get inside my head and express what I was thinking in image capture and/or processing so well! You ask (mostly in jest);
.
You'll see...
Cheers...
Brad
Just kidding,feel more like kissing the screen
Jagdeep Rajput
Thanks for the explination! I guess it's all about your application...